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With our annual Special Report on Festivals, we continue a Musical America tradition dating back at least 50 years—perhaps longer—of reporting on the year’s upcoming festivals.
It would be interesting to compare our reporting from those days with this report; many of the mature destinations—Tanglewood, Aspen, Marlboro—are still very much alive and kicking, changing with the tides but true to their core missions.
In this year's Guide, you’ll notice newcomers, such as Tippett Rise, established 2016 in Fishtail, Montana, and old faithfuls, like the Salzburg Festival, founded in that historic city in 1920 and not standing still: Cecilia Bartoli will be singing Maria in Our feature story reviews summer music programs that enable "grown-up" individuals to practice a favorite avocation, make friends, and, in many cases, enjoy the scenery.
We recently asked the worldwide performing arts community to nominate 30 people who have "taken a risk, spoken out where others were silent—all to the measurable benefit of their arts organizations and the field."America editors, it was a labor of love.
The promise has been there for a while: streaming your live performances to a vastly expanded worldwide audience.
But only recently have all the elements come together, such as Internet speed, ecommerce tools, reduced video creation costs and audience comfort with the digital streaming medium.
Musical America’s latest Special Report, Music Publishing: Copyright Demystified, untangles the many components of the “bundle of rights” protecting and fostering the very core of the arts world: The Work.
After all, the proper use of artistic works is one of the bedrocks of the business as well as for fostering creativity.